20.3.–12.4.2026
The exhibition takes its title from the butterfly effect. It is a concept from chaos theory suggesting that small events can trigger consequences of unpredictable magnitude. A single gesture, decision, or coincidence can alter the course of events in ways that only become apparent later. This exhibition explores the idea of the butterfly effect and chains of cause and effect. In this context, the concept serves as a structure through which the artworks relate to one another.
The works construct a narrative that emerges between them rather than residing in any single object. Each form, material, and object acts as a sign, pointing forward or backward to another work. The elements form a network in which meanings are transferred, transformed, completed. The exhibition functions as a space where artworks observe and challenge one another, like scenes in a story gradually unfolding as the viewer moves through the space.
Clay and ceramics form the central material basis of the exhibition. Their malleability and slow, gradual process reflect how events shape reality over time. The forms carry traces and layers of handling, reminding us that small changes can, over time, alter entire structures.
In the exhibition, the story does not unfold linearly but is built from clues, details and symbols that begin to resonate with one another within the space. Shapes, gestures, and objects subtly reference each other, sometimes almost imperceptibly. Meaning emerges in these relationships, as one element shifts the reading of another or opens new layers within the whole.
